Blog
This is the place to read about some of the more memorable gigs thoughout the years aswell as personal reflections.
Foto by: Rockfoto
17 / 09-2024
Yet another summer touring...
This summer's tour has been one of the most rewarding yet. We managed to squeeze in 7 festival gigs, which was a refreshing change from the usual mix of club shows and it felt like the perfect setting to showcase what we do. After touring with the same crew for seven years now, since 2017, I feel incredibly fortunate to have found my place in this team aswell as having the opportunity to continue to evolve creatively with full freedom and 100% support from everyone.
In addition to the festivals, I’ve also balanced nearly 25 shows with Koicha this spring and summer, which has been an incredible ride in itself. The intense schedule is part of why I'm actually looking forward to this upcoming focus-on-school break... It’s been a fulfilling but non-stop summer and the pause is well-earned.
→ More Koicha ←
Renders by: Me
20 / 08-2024
Behind the Scenes: Indie Game Asset Creation
I recently worked on a few assets for a secret indie game, set to release in late 2026. My task was to create a custom asset pack featuring spray cans and skateboard ramps. Using Maya for modeling and Substance Painter for texturing, I crafted detailed, polished assets that fit seamlessly into the game’s style. It was a great challenge and I’m really excited for the final release. Stay tuned!
Collaboration with: John Beijer
06 / 06-2024
Turning Art to 3D
Recently, I had the incredible opportunity to work with the well-known artist John Beijer to bring one of his iconic designs to life in 3D. He wanted his signature "shark fin" turned into a 3D model so it could be used as a base for his sculptures. I took the initial idea and transformed it into a detailed 3D version using Maya and substance painter for texturing and rendering.
I also had some great assistance from Elias Bennaceur, a talented classmate of mine, whose input made a big difference in the process. Together, we ensured that the final model captured the essence of Beijer’s design while being technically sound for baking into sculptures. It was a rewarding experience, and the first one of many in blending art and 3D work!
Full video on: Youtube
24 / 11-2023
My Journey in 3D Modeling
I recently took a new course called 3D Modeling, where I chose the animation track, and it was a fantastic learning experience. For my main project, I decided to create a marble run diorama with a skatepark theme, crafting every single asset myself from scratch.
I recently took a new course called 3D Modeling, where I chose the animation track, and it was a fantastic learning experience. For my main project, I decided to create a marble run diorama with a skatepark theme, crafting every single asset myself from scratch.
Full video on: Youtube
24 / 09-2023
My Journey in 3D Rendering
I recently took a 3D rendering course at Stockholm University, and it was an incredible experience. The course opened my eyes to the exciting world of 3D rendering, where creativity and technology come together to create amazing digital environments. With access to the latest tools and guidance from skilled instructors, I really got into mastering this craft.
One of the highlights was a project where I created a close-to-photorealistic rendering of a Swedish village. Over the course of a month, I dedicated myself to modeling every detail in Maya, and it was both challenging and rewarding.
Photo by: James Realmwalker
07 / 08-2023
Crafting the Stage at Once Upon a Time 2 Festival
Last week, I had the thrilling opportunity to serve as the lead stage designer and technician for the Once Upon a Time 2 Festival, alongside my colleague Elias. Together, we brought our creative vision to life on an almost nonexistent budget, relying on grassroots support and facing challenging weather conditions.
For five intense days, we transformed the festival stage into a magical realm, tackling numerous obstacles along the way. The hard work of our crew and enthusiastic volunteers was invaluable, allowing us to execute our design efficiently despite limited resources.
When the festival began, our stage was ready to captivate the audience. The hastely crafted decor came to life, showcasing our dedication and creativity, while becoming a focal point for festival-goers and performers alike.
Reflecting on this journey, I’m reminded of the power of teamwork and shared passion. Leading such a project was daunting, but we proved that dreams can become reality, even on a tight budget. As the festival concluded, Elias and I felt immense pride in what we had accomplished.
Photo by: Brännbollsyran
05 / 06-2023
ODZ at Brännbollsyran Festival 2023
What a blast it was to once again be back at the stage at Brännbollsyran, delivering visuals as a VJ for ODZ. This marked my fourth year at the festival, and the excitement only grows with each return.
As the sun went down and the music started, I got to create visuals that really brought ODZ's performance to life. Working with them is always a blast; they trust my vision and let me get creative.
Collaborating with ODZ is as per usual an absolute joy. Their trust in my creative vision gave me the freedom to experiment and push boundaries. I kept the visuals evolving, The ecstatic reactions and cheers reaffirmed that the fusion of music and visuals was a good.
Photo by: Me
04 / 02 -2023
Techno night W/ Fightbox
As event coordinators and creative consultants, my colleague Elias and I were thrilled to organize an electrifying party for the renowned Fightbox Gym. We aimed to create an unforgettable experience with a dark, techno-themed ambiance by demand from the owner.
Starting a few week before the gig, we immersed ourselves in planning the design and programming the lights. Projections became our canvas for artistic expression, transforming the venue with captivating visuals.
On the night of the event, the Fightbox transformed into a night club with music from some of swedens best Djs sush as Jessie Granqvist, captivating the crowd with our carefully selected tracks. It was a true testament to the power of creativity and collaboration, proving that even in a smaller gig, great things can be created through thoughtful planning and execution.
Photo by: Matilda Hammar
2022 Tour summary
A Year of ODZ: Reflecting on Another Unforgettable Tour
As the days roll on, it's the perfect time to look back on a year filled with music, energy, and unforgettable moments alongside the incredible ODZ crew. As I reflect on this tour year, I'm struck by the beauty of collaboration, the thrill of the live experience, and the sweet spot where music and visuals collide. It's these moments that drive my passion, that keep me up at night crafting new visuals, and that remind me why this journey is a heart-pounding, creative adventure.
Navigating these diverse setups wasn't just about plugging in cables. It was a dance of adapting to varying tech specs, harnessing the power of LED walls, and making sure visuals seamlessly synced with ODZ's evolving music. It was about crafting a visual story that spoke to intimate gatherings as well as massive crowds.
So here's to the whirlwind that was another ODZ tour year – a chapter of discovery, growth, and music that transcends. The road continues, and I can't wait to see where the rhythm takes us next. Stay tuned for the next beat drop, because this odyssey is far from over.
Photo by: James Realmwalker
30 / 08 - 2023
Once Upon a Time 2022
Let’s dive into the unforgettable forest rave we organized on a tight budget and with little lead time, alongside Techostate. Despite the challenges, we managed to attract nearly 2,500 people for an incredible experience.
With limited resources, we got creative. One of the highlights was climbing trees to secure lights in the tall pines, transforming the forest into a vibrant party space. We also used a back-projection screen as a backdrop for the DJs, mimicking a full LED wall without breaking the bank.
We created visuals in Resolume and programmed the lights to sync perfectly with the music, making this one of Sweden's largest raves ever. The energy from the crowd was electrifying, and it felt amazing to pull off such a huge event in such a short time.
Photo by: Brilliant Minds
04 / 06 -2022
Crafting Magic: A Triumph of Creativity at the Brilliant Minds Foundation Afterparty
As an event coordinator and creative consultant, organizing parts of the afterparty for the Brilliant Minds Foundation was an exhilarating challenge. Alongside my colleague Elias, we embraced this opportunity with passion, working hard to create an unforgettable experience in just three weeks.
Our planning focused heavily on design, aiming for an immersive ambiance that reflected the essence of the Foundation. Lighting became the centerpiece of our vision, with carefully curated fixtures in four distinct areas that brought each space to life with warm tones and vibrant colors.
A standout feature was a massive 5-meter-tall face we constructed, symbolizing inspiration and enlightenment. Coordinating its construction required attention to detail and collaboration with skilled craftsmen & friends.
Logistically, we managed the budget and ensured every detail met financial constraints without sacrificing creativity. The night was electrifying, highlighted by a performance from Swedish House Mafia and attended by inspiring guests like Edward Norton, Emma Watson, and Malala Yousafzai.
Our efforts culminated in a mesmerizing experience, with the lighting illuminating guests and creating a celebratory atmosphere. The afterparty was a testament to teamwork, creativity, and meticulous planning, leaving me inspired to create more magical moments in my role. I'm grateful to have been part of this extraordinary celebration of brilliance and innovation.
Photo by: Glide Photos
2020 Summary
Reflecting on 2020: A Year of Creative Focus
The year 2020 may have thrown me some unexpected challenges with the global pandemic, but it also provided a unique opportunity for growth and creative exploration. With touring taking a step back for the first time in 3 years of more or less constant gigging. I embraced the chance to dive deeper into my craft as a VJ and stage technician. The slower pace allowed for a profound focus on honing my skills and refining my visual artistry.
While the world paused, I seized the moment to experiment, learn, and push the boundaries of what I could achieve visually. Freed from the constant rush of touring, I delved into new techniques, collaborated with fellow artists, and expanded my creative horizons. It was a year of reflection, introspection, and transformation, allowing me to emerge with a renewed sense of purpose and vision.
The lessons learned and the growth experienced in 2020 have become an integral part of my "journey", shaping the way I approach every gig, every project, and every opportunity that lies ahead.
Photo by: David Hult
16 / 12 -2019
VJ-Gig for Frej Larsson's 2019 Tour Finale
Teaming up with awesome animators and designers, including Delicious Brains and Ossian Theselius , I dove into an electrifying adventure during Frej Larsson's tour finale in Stockholm.
Now, here's the fun part – we spiced things up with a dash of 3D mapping and back-projection magic. This VJ-gig was like a fusion of creativity and tech, leaving everyone with memories for ages. Frej Larsson's tour finale turned into a canvas where talent and imagination painted the night.
Looking back, I'm stoked about the visual artistry journey ahead. Teamwork with visionaries, tech wizardry, and crafting experiences that take folks on a visual trip – that's what keeps my VJ spirit alive.
Photo by: Matilda Hammar
16 / 09 - 2019
Visuals for ODZ at Annexet (Stockholm)
Let's dive into the ODZ tour finale at Annexet Stockholm – a gig that really changed me and took the crowd on an unforgettable ride. Imagine this: 4 massive LED walls stealing the spotlight, courtesy of the genius design by Timothy Wilson, aka "Svår @ Döda." Teaming up with pals David Hult and Elias Bomark, we created a visual symphony that synced flawlessly with the songs. With ODZ fans from all over the country packing the arena – about 2400 strong – the pressure was on.
But here's a twist – we didn't just stop at the gig itself. We joined forces with Per Sinding Larsen to film for an SVT documentary about the show. Talk about an extra layer of excitement! You can catch a glimpse of the action here:
2017 & 2018 Summary
My First Year(s) with Frej Larsson and ODZ
The summer of 2018 was a whirlwind of music and visuals as I hit the road with Frej Larsson and ODZ. We played about 20 shows, from rowdy bars to huge festivals, and it was an amazing experience.
As a VJ and stage tech, I loved crafting immersive visuals that matched the energy of the music. Whether I was setting up in a small venue or a massive festival, each show had its own unique vibe and challenges.
Working with Frej Larsson and ODZ was a fantastic opportunity. I'm grateful they trusted me to bring my visuals to their performances and appreciated my craft. Those 20 shows were unforgettable moments where music and visuals came together, and I can’t wait to keep pushing the limits in live performances!